Martha Boswell aka MBoz

martha Born: Kansas City, MO, July 9, 1905
Died: Peekskill, NY, July 2, 1958
Hair Color: Black-Brown
Eye Color: Dark Brown
Complexion: Fair
Height: 5´-2”
Marriage(s): Jules Picard, 1925, George Lloyd 1936
Children: Jules Boswell Lloyd (born Jules L. Picard.) 1926 – 2004

The Boz we´d most like to party with!


MBoz played piano accompaniment on most of the Sisters recordings and was a gifted concert pianist as well. She could play almost anything with keys. MBoz wrote music including three songs that were recorded by the Sisters (Cryin’ Blues, Nights When I am Lonely, and Rainy Days) and a song that became the theme of Connie’s radio show, Pal O’ Mine.

MBoz and Connie performed classical music as prodigies when they were still quite young. Rag and blues entered MBoz’s musical vocabulary at an early age as well. She accompanied others and sang through her youth. Her ability to play with just about anyone and her sparkling good looks helped attract young jazzmen and musicians of the day to the home on 3937 Camp Street. One of those musicians was Emmett Hardy who is said to have taught Bix Beiderbecke to play and who has been accorded the legendary status of one of the best to ever blow a horn. When he met Martha romance bloomed, but Emmett contracted tuberculosis and died at age 23.

Early in the Sister’s singing career MBoz played multiple roles: pianist, manager and occasional lead singer. MBoz’s solo voice was slightly higher than Connie’s, but when she harmonized she and CBoz could both get very low. Her lead lines diminished once the trio began recording for Brunswick, but you can occasionally hear MBoz out front on songs like Wha’d Ja Do To Me, Why Don’t You Practice What You Preach, and Every Little Moment. But the melody line seldom stayed with any sister for long which is what, according to MBoz, resulted in the “Boswell Sound”. The Times Picayune published these comment from MBoz in a January 4, 1935 article entitled “Blending Termed Secret of Boswell Success”.

“I’ll explain it as simply as I can,” said the eldest sister. “If we sang according to orthodox musical traditions, Vet would be the high voice or soprano, I would be the middle or alto, and Connie would be the low or contralto.”

“But we don’t sing in the orthodox musical way,” Martha Boswell continued. “Instead, when we sing as a trio we achieve an unusual and unorthodox effect by deserting out own particular tone and singing in another tone. We call that blending.

“If you know anything about music, for example, you know that a soprano is rarely about to hit a low “C” note effectively, but Vet can do that when we sing as a unit thereby producing an effect which is out of the ordinary and which accounts for our own peculiar type of individuality.

“Blending and cross-blending of voices achieve by a desertion at various times of the tones in which we would normally sing is an important factor in the production of the think you have heard called “Boswell Rhythm,” Martha Boswell explained.

“This blending,” the eldest of the trio continued, “takes varied forms. Sometimes all three of us will strike a crescendo in the same tone. At other times we achieve a cross blending effect as when the soprano sings contralto and the contralto sings soprano. If we sang out of tone separately it wouldn¹t be so good, but doing together produces the blending effect that goes over.”

But it is her fabulous jazz piano, thundering left hand, and ability to conduct the trio with the movement of her body AND sing that makes Martha Boswell a most amazing Bozzie.


MBoz has been described as “wonderfully alive” with sparkling bright eyes that want to take in everything around her. She had a great memory and could beat her sisters in trivia. MBoz loved to chat, have fun with friends and cook. She was trusting to the point of gullibility, once famously failing to ask a theater manager how much they would be paid for three performances and receiving a check for three dollars.

A love for New Orleans ran deep in Martha and she returned often until her father died.

There was a melancholy side to MBoz as well. She felt things deeply and passionately and it shows in her artistry.